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Contemporary Hinduism is shaped and moulded by Bhakti. From a Hindu perspective, the bhakti saints are enlightened masters who walked with deities and composed authentic spontaneous verses or even music, considered to be the equivalent to Vedic revelations or the fifth/ Panchama Veda. Bhakti saints have led instructive and exemplary lives, responded to all the key texts of Hinduism (from the Vedas, Vedanta and brahmasutras to the Gita), single-handedly established mathams that have lasted till date and convinced large populations to adopt new methods to quickly access moksha. Bhakti saints have led instructive and exemplary lives, responded to all the key texts of Hinduism (from the Vedas, Vedanta and brahmasutras to the Gita), single-handedly established mathams that have lasted till date and convinced large populations to adopt new methods to quickly access moksha. Their commentaries on a common corpus of texts show a continuity in Hinduism among other things. What is also fascinating from the perspective of shraddha is that the bhakti emerging from diverse Indian regions still resembled each other in spirit while being philosophically different, in a pre-internet era. The multiplicity of philosophical positions in bhakti offers seekers a wide array of concepts and methods to choose from.
At its heart, bhakti aids self-transformation by instilling an attitude of gratitude–something that modern psychology is only now discovering. Bhakti is an effective tool in opposing an unthinking endorsement of materialism.
The modern narratives and theorizations of Bhakti have created many misunderstandings around Bhakti. , it has been quickly secularized by various camps before its inherent potential for modern living in its original form has been fully explored.
Indica is organizing a conference along with a tirtha yatra for the scholars, on Episteme and Experience of Bhakti at Bharachalam , the famous khetra of Sri Rama where a great Bhakti saint Ramadasa built the temple on the banks of Godavari. Scholars will critically engage with both the narratives and theorize Bhakti considering its origins in the Veda articulated through a the massive corpus of bhakti compositions produced by both men and women of all castes and classes, unmistakably and abundantly present in every region of India, spanning only a thousand years.
##SCHEDULE##
Day 1, 12 Feb 2024 | ||
Inaugural Session – 2.00-3.45PM | ||
1 | Dr. Nagaraj Paturi Dean, INDICA |
Welcome Address |
2 | Smt. Madhavi Lata Kompella Orator, Artist, Philanthropist, Entrepreneur & Chairperson, Virinchi Hospitals |
Bhakti In Hindu Arts, Life And Culture |
3 | Dr. Sushumna Kannan Scholar-in-Residence, INDICA & Co-curator |
Mapping The Field Of Bhakti Studies-An Indic Perspective |
Tea Break – 3.45-4.00PM | ||
Distinguished Lecture 1 – 4.00 to 4.45 PM | ||
Vidwan Gudimella Murali Krishnamacharyulu Aasthana Purohit & Vaidic Committee Member, Sree Sitaramachandra Swamy Vaari Devasthanam, Bhadrachalam |
Significance And Forms Of Bhakti In Valmiki Ramayana | |
Episteme of Bhakti – Session 1 – 4.45-6.45PM | ||
1 | Sri Arvind V Iyer | Locating Bhakti In Vedānta Texts Via The Daśopaniṣad Commentaries Of Upaniṣadbrahmayogin |
2 | Prakriti Goswami Ph.D. Candidate, Department of Religious Studies, Indiana University-Bloomington |
Paradoxes Of The Arya Samaj: Rejection Of Bhakti Against The Backdrop Of Missionary Movement And Its Ramifications |
3 | Tirtha Ph.D. Research Scholar, Department of English, Faculty of Arts, Banaras Hindu University (BHU), Varanasi, India |
Acintyabhedābheda Darśana: The Oxymoronic Theosophy Of Bhakti |
4 | Yogeendra Ranganathan Indic Film Maker |
Philosophy Of Nija Bhakuti, Unfiltered Bhakthi Of Haridasas |
Day 2, 13 Feb 2024 | ||
Distinguished Lecture 2 – 9.00 to 9.45 AM | ||
Nithin Sridhar Director & Chief Curator, Indica Moksha |
When Action Becomes Devotion: Svakarmānuṣṭhāna As Devotional Offering To Bhagavān | |
Experience of Bhakti – Session 2 – 9.45-11.15AM | ||
1 | Arjun K V Research Scholar, University of Kerala |
Theyyam: The Dancing Gods Of North Kerala |
2 | Anita Korde Director- Heritage Foundation, Mumbai Chapter |
Pandharpur Vari- The Sangam of Faith and Faithfuls |
3 | Smt. Nandita Banerjee Dancer & Choreographer |
Dance As Divinity: Exploring Bhakti Through Performance |
Tea Break – 11.15-11.30AM | ||
Distinguished Lecture 3 – 11.30 to 12.15 AM | ||
Sri Rallabandi Srirama Chakradhar Director, Eduact Innovation Labs & Thavaasmi Academy, Author, Thavaasmi & Alumnus BITS Pilani |
The True Essence Of Bhakti: From The Lens Of Ramayana! | |
Bhakti in Space & Time – Session 3 – 12.15AM-1.15PM | ||
1 | Smt.Vaijayanthi Chakravarthy Freelance Writer |
King As A Devotee: Kulasekara, The Ruler And The Renunciate |
2 | Dr. Bijoya Baruah, D. Lit. Professor, Dept. of Assamese, Mahapurush Srimanta Sankaradeva University, Nagoan, Assam |
The Treatment of Bhakti in the Madhavadeva’s ‘Nam-Ghosha’ |
Lunch Break – 1.15-2.00PM | ||
Bhakti in Space & Time – Session 3 Continued – 2.00-2.30PM | ||
4 | Swastik Banerjee University Research Fellow, Department of Philosophy, University of Calcutta |
Beyond Forms: Trancendental Bhakti In Kālī Kula |
Distinguished Lecture 4 – 2.30 to 3.15 AM | ||
Dr. Srinivasa Acharya Bellamkonda Founder Gauranga Vedanta Arts and Life Academy |
Rasopasana As Raganuga Bhakti Sadhana | |
A Musical Lecture Demonstration – Session 4 – 3.15-4.45PM | ||
Smt. Anuradha & Sri Srinivas Udumudi Trisha and Isha Udumudi |
Glory Of Bhadrachala Kshetra And Ramadasa’s Bhajana Sampradaya Keertanas | |
Tea Break – 4.45-5.00PM | ||
Valedictory Session – 5.00-6.30PM | ||
1 | Dr. A V Nagasampige Director, Poorna Prajna Vidyapeeth, Bangalore |
Valedictory Speech – Bhakti, A Sastric Perspective |
2 | Dr. Nagaraj Paturi Dean, INDICA |
Closing Remarks |
3 | Dr. Sushumna Kannan Scholar-in-Residence, INDICA & Co-curator |
Vote of Thanks |